The Tyler Civic Chorale and Artistic Director, Richard Lee, are pleased to announce a series of challenging, varied, and entertaining performances planned for our 58th Season.
November 9, 2025 3:00pm at First Presbyterian Church
Come young, come all! Join the Tyler Civic Chorale for a fun filled concert with your favorite Disney favorites, from Snow White to Encanto. Feel the joy these songs bring. Kids are Free!!!!!
This program is mostly about songs from Disney animated feature films spanning over 80 years, from Snow White (1937), through Encanto (2021). We also present songs ranging from the megahit Let It Go from Frozen to pieces from the more obscure parts of the Disney canon, and a few that are simply “Disney-adjacent.” Enjoy!
When You Wish Upon a Star
In early 1940, Disney issued the second of its animated feature film, Pinocchio, following well over two years of production work. When You Wish Upon A Star was written as a feature for one of the star voices in the cast, Cliff “Ukulele Ike” Edwards, by the songwriting team of Leigh Harline and Ned Washington. Edwards voiced Jiminy Cricket, the narrator of the film, and Pinocchio’s conscience. This sweet tune won Best Song at the Academy Awards that year and its first seven pitches have become a kind of musical signature for Disney Studios.
Cruella DeVil
Every Disney film have to have a villain, and Cruella DeVil– of One Hundred and One Dalmations i(1961) s certainly among the nastiest of the lot. The story focuses on songwriter Roger Radcliff and his wife Anita, and their Dalmatian dogs, Pongo and Perdita. Perdita is pregnant with a litter of puppies, and Cruella, a school acquaintance of Anita’s, shows up demanding to buy them when they are born...never hinting that she wants to turn them into a fur coat! Roger improvises the slinky Cruella DeVil in the next room after Anita shoos him away. Dalmatians is Disney’s first movie that is not structured as a “musical”, but veteran songwriter Mel Leven wrote the hilariously sarcastic lyrics and unforgettably oozy tune.
It’s a Small World (After All)
In 1964, Walt Disney oversaw the construction of a pavilion/ride for United Nations Children’s Fund (UNICEF) the New York World’s Fair. It’s a Small World, in a celebration of world peace, and proved to be one of most popular attractions at the fair: visitors floated through a magical landscape peopled by hundreds of animatronic and other figures representing children from around the world. In 1966 the ride assembled at Disneyland in California, and five years later, it was replicated as part of Florida’s Walt Disney World. The song, It’s a Small World (After All), sung in many languages, by three inch tall children, was written by brothers and movie songwriters Richard and Robert Sherman. [Warning: If you ever take the ride, It’s a Small World (After All) constitutes a pernicious earworm will be with you for the rest of the day!]
Candle on the Water
Pete’s Dragon is a live action/animated feature film from 1978, telling the story of a young orphan boy in Maine, Pete and Elliot, an enormous clumsy green dragon who is invisible to the townspeople, and who causes all sorts of mayhem. Nora, the daughter of the lighthouse keeper, who befriends Pete, was played by pop star Helen Reddy. Al Kasha and Pete Hirschhorn wrote the lush love song, Candle on the Water, for Nora to sing from the top of the lighthouse to her fiancé Paul, who is lost at sea and presumed dead.
Rainbow Connection
Puppeteer Jim Henson created the iconic Muppets in the 1950’s, and they became popular on television in appearances in variety shows and ads. Of Course, the Muppets became almost universally popular as part of Sesame Street (beginning in 1969) and in successful variety show The Muppet Show (1976-1981). In 1979, Henson produced The Muppet Movie, a kind of combination road movie/origin story. It opens with Kermit the Frog, alone with his banjo in a swamp in Florida, singing the wistful The Rainbow Connection. With Encouragement from a talent scout, Kermit sets off for Hollywood, picking up the rest of the Muppets gang along the way. The Rainbow Connection earned an Academy Award nomination for Best Song that year, for Paul Williams and Kenny Ascher.
A Whole New World
When Disney produced Aladdin, Disney turned to composer Alan Menken, who had already scored previous hits The Little Mermaid (1989) and Beauty and the Beast (1991). Aladdin, adapted from the medieval Arabic collection The Thousand and One Nights, was dominated by a manic performance by the late Robin Williams as the Genie. A Whole New World, by Menken and lyricist Tim Rice, is a sweeping love duet for Aladdin and Princess Jasmine, sung on a nighttime flight on Aladdin’s magic carpet.
Kokomo
Like the Muppets, the next song, Kokomo by the Beach Boys is best classed as “Disney-adjacent.” This laid-back “yacht rock” song from 1988, that appeared in the truly awful Tom Cruise movie Cocktail (produced by a Disney subsidiary.) It marked The Beach Boys’ first return to the pop charts in 20 years and was the group's final top 40 hit. This song, featuring The Beach Boys’ trademark close vocal harmony, is about a fictitious Caribbean beach. It was written by John Phillips (of The Mamas & The Papas), Scott McKenzie, Terry Melcher and Beach Boy Mike Love.
Circle of Life
In 1994, Disney issued The Lion King, a story set among the wildlife of southern Africa. It is a grand opening coming-of-age story featuring the young lion Simba. The anthemic Circle of Life heard at the beginning and end of the movie, was written by pop superstar Elton John and composer Hans Zimmer with lyrics by Tim Rice. This song begins with an extended passage in the indigenous Zulu language.
God Help the Outcasts
For 1996’s Hunchback of Notre Dame, based upon the 1831 novel by Victor Hugo, Disney once again turned to Alan Menken. The rather dark God Help the Outcasts, is sung by the Roma girl, Esmerelda, as a fervent prayer to the Virgin Mary which is overheard by Quasimodo, the deformed bellringer of the Parisian cathedral of Notre Dame. Stephen Schwartz wrote the lyrics for this religious song.
Go the Distance
Disney followed Hunchback with Hercules (1997) and again tapped Alan Menken and composer and songwriter, with lyricist David Zippel. Their Go the Distance accompanies a turning point in the story: where, during a moment of loneliness, young Hercules-isolated because of his inability to control his own strength– finds that his parents adopted him a foundling, and they reveal a medallion with the symbol of the gods on it that was around his neck. This sets him off on a quest to reclaim his godhood.
When She Loved Me
Toy Story (1995), produced by Disney subsidiary Pixar, is a great movie: not only is it a fine “buddy picture.” it is an imaginative look into the inner lives of toys! However, it is among the great technical landmarks of filmmaking: the first fully computer-animated feature film. It’s composed, Randy Newman, earned Academy Award nominations for Best Score and Best Song (You’ve Got a Friend In Me) that year. Small wonder, then, that Pixar asked him to score the sequel, Toy Story 2 in 1999. Newman wrote the profoundly sad When She Loved Me for a montage showing how cowgirl doll Jessie’s beloved owner, Emily, eventually outgrew her and abandoned Jessie at a roadside donation site. Sarah McLaughlin sang the song on the soundtrack, and it earned Newman a Grammy Award.
The Climb
Before she became a grown-up popstar making sometimes questionable wardrobe choices (I’m thinking Wrecking Ball...), Miley Cyrus was a squeaky-clean teen actress in the Disney channel sitcom Hannah Montana. Here, she plays the role of Miley Ray Stewart, who adopts the guise of a slightly geeky, normal teenager, to keep her other life as pop star Hannah Montana, a secret. Disney stretched the same premise into a feature film in 2009, Hannah Montana: The Movie. Jessi Alexander and Jon Mabe wrote The Climb, a slowly-evolving power ballad about life’s journey, for what turned out to be the movie’s climactic moment: just after Miley reveals her secret identity.
I’ve Got a Dream
Alan Menken’s ninth and most resent film score for Disney was Tangled (2010), a slightly twisted version of the fairytale Rapunzel from the Brother’s Grimm. I’ve Got a Dream, with hilarious lyrics by Glenn Slater, is a showstopper sung by Rapunzel and the somewhat disreputable hero, Flynn Rider, and the inhabitants of a dive bar called the Snuggling Duckling. At first, the thug's, led by terrifying Hook Hand, thoroughly intimidate Rapunzel and Flynn. But soon show themselves to be a bunch of softies...with aspirations to be artistic!
Vuelie, In Summer, Let it Go
In 2013, Disney’s megahit Frozen became the highest-grossing animated film to date, earning nearly $1.3 billion at the box office. This movie had a fairytale plot, based loosely upon a story by Hans Christian Anderson: following Princess Anna on a journey to find her estranged-and magically powerful– sister Elsa, who unwittingly trapped the kingdom in everlasting winter. With an eye towards establishing the film’s Norwegian setting, Christophe Beck, who scored Frozen, provided a striking choral piece, Vuelie, for the opening credits, based upon the traditional music of the Sami, an indigenous people who live in the tundra that stretches across of the northern reaches of Norway, Sweden, Finland, and the Kola Peninsula in northwest Russia. It is an adaptation of the 2002 song Eatnemen Vuelie (Song of the Earth) by Norwegian/Sami musician Frode Fjellheim. It was performed on the soundtrack by the acclaimed Norwegian choir Cantus. The more conventional songs were written by the wife-husband team of Kirsten Anderson-Lopez and Robert Lopez. Their very funny In Summer is an old-fashioned “soft shoe” song -and- dance tune for the thoroughly naïve snowman Olaf: who sentimentally-and cluelessly-longs to do whatever frozen things do in summer heat. Of course, the great hit from Frozen is Elsa’s powerful Let it Go, sung unforgettably by Idina Menzel. This accompanies the moment where Elsa resolves to embrace her own power.
Remember Me
Disney’s 2017 Coco was another huge hit. Based upon the Mexican tradition of the Day of the Dead, (El dia de los muertos), it tells the story of Miguel, a young boy from a family of shoemakers who desperately wants to become a mariachi singer. Following the success with Frozen, Disney once again tapped Kirsten Anderson-Lopez and Robert Lopez. After researching Mexican popular styles, they produced the gentle ranchera-style Remember Me. This song shows up in several guise’s during the movie, and in different generations of Miguel’s family: as a lullaby sung to his Great-grandmother Coco as a young child, as a big production number sung by his idol Ernesto de la Cruz, and as a plea sung by Miguel to Coco, now elderly and dying. It won both an Oscar and a Grammy that year.
How Far I’ll Go
2016’s Moana is set in Polynesia, where Moana, the daughter of the chief, sets out on a quest to save her people, who are threatened by a blight that is killing their crops. As she resolves to make her way into the unknown, she sings the aspirational How Far I’ll Go. This song is reprised at the end, as she leads here people on a bold migration across the sea. It was written by Broadway superstar Lin-Manuel Miranda. Miranda reportedly locked himself into his childhood bedroom at his parents’ home for a few days, in order to adjust his perspective back to age 16 to capture the essence of this song.
We Don’t Talk About Bruno
Like Coco, Disney’s Encanto (2021) deals with a multigenerational Hispanic family, but in this case the setting is Columbia, and the family business is magic. The main character is Mirabel Madrigal, who unlike her family, was apparently born without a magical gift. She discovers out that the Madrigal magic is fading and eventually seeks help from her outcast Uncle Bruno. Colombia has a particularly rich culture, particularly its music, which channels influences from the Caribbean, Africa, Spain, and many indigenous peoples of the country. Lin-Manuel Miranda did a fine job incorporating many of these musical influences in his songs for the movie. We Don’t Talk About Bruno-sung by the entire Madrigal clan-for example, is a salsa tune with elements of the Cuban guajira.
April 12, 2026 3:00pm at First Presbyterian Church
The spring concert presents Haydn’s Lord Nelson Mass with Orchestra, and the gorgeous creations of Mendelssohn and Mozart.
Rock out with the East Texas Symphony Orchestra and the Tyler Civic Chorale, celebrating the music of Queen with our friends from Jeans ‘n Classics. The concert will feature such favorites as Bohemian Rhapsody, We Will Rock You, We are the Champions, and more.
In the spring of 2025, the Chorale shifts its focus to familiar opera choruses and somewhat less-familiar choruses from Broadway and the West End. This diverse program features choruses from Wagner and Verdi to Lloyd Webber and Gershwin.
The Tyler Civic Chorale’s 2024 fall concert is programmed around two Motets by J.S. Bach: Jesu, meine Freude & Lobet den Herrn alle Heiden. These two brilliant masterworks are supplemented by works not necessarily similar but somehow related to them.
The Chorale’s final event of the season begins with Johannes Brahms’ first set of “love song waltzes”, Liebeslieder walzer. These charming choral waltzes incorporate light-hearted poetry and folk songs about love, sure to entertain and inspire. Though Johannes Brahms did not write many waltzes, his fondness for them is evident in these enchanting works.
The program concludes with the Liebeslieder Polkas of P.D.Q. Bach, the alter-ego of Peter Schickele. These polkas are an extremely light-hearted attempt to honor Brahms and his original waltzes. (So extreme that it would be perfectly acceptable to giggle during the polkas!) It is astonishing how contrasting yet somehow similar these two works are.
$25 Online and at the Door
Children and Students Free Admission
Four Short but Sweet Masterworks for a New Season
Always challenging conventional categorization, Sir Karl Jenkins transcends musical boundaries and is one of the most performed composers in the world today. His work The Armed Man for choir and ensemble was commissioned by the Royal Armouries in Great Britain to mark the transition from one millennium to another and was dedicated to victims of the Kosovo crisis. With over 3,000 performances worldwide since its premiere in 2000, his Mass for Peace reflects on the passing of ‘the most war-torn and destructive century in human history’ and looks forward in hope to a more peaceful future.
Tyler Civic Chorale and Orchestra
Weston Jennings, artistic director
Sanctuary | $25 adults in advance/$30 adults at the door
Students and Children Free Admission
Always challenging conventional categorization, Sir Karl Jenkins transcends musical boundaries and is one of the most performed composers in the world today. His work The Armed Man for choir and ensemble was commissioned by the Royal Armouries in Great Britain to mark the transition from one millennium to another and was dedicated to victims of the Kosovo crisis. With over 3,000 performances worldwide since its premiere in 2000, his Mass for Peace reflects on the passing of ‘the most war-torn and destructive century in human history’ and looks forward in hope to a more peaceful future.
Tyler Civic Chorale and Orchestra
Weston Jennings, artistic director
Sanctuary | $25 adults in advance/$30 adults at the door
Students and Children Free Admission
Nothing warms the heart more than songs for the holidays! Come celebrate the season with the Tyler Civic Chorale in a fun and heart-warming winter wonderland.
Tyler Civic Chorale
Weston Jennings, artistic director
Sanctuary | $25 adults in advance/$30 adults at the door
Students and Children Free Admission
Nothing warms the heart more than songs for the holidays! Come celebrate the season with the Tyler Civic Chorale in a fun and heart-warming winter wonderland.
Tyler Civic Chorale
Weston Jennings, artistic director
Sanctuary | $25 adults in advance/$30 adults at the door
Students and Children Free Admission
The Tyler Civic Chorale begins its 55th season alongside the A Cappella Choir of Stephen F. Austin State University, conducted by Dr. Michael Murphy, with one of the most sublime and beautiful choral works of the 20th century: Maurice Duruflé’s Requiem. It weaves Gregorian chant with sensuous harmonies and fervent rhythm into a moving and reflective masterpiece. Duruflé wrote of the piece:
“This Requiem is not an ethereal work which sings of detachment from earthly worries. It reflects, in the immutable form of the Christian prayer, the agony of man faced with the mystery of his ultimate end."
Tyler Civic Chorale
Stephen F. Austin State University A Cappella Choir
Dr. Michael Murphy, guest conductor
Weston Jennings, organ
Sanctuary | $25 adults in advance/$30 adults at the door
Students and Children Free Admission
The Tyler Civic Chorale begins its 55th season alongside the A Cappella Choir of Stephen F. Austin State University, conducted by Dr. Michael Murphy, with one of the most sublime and beautiful choral works of the 20th century: Maurice Duruflé’s Requiem. It weaves Gregorian chant with sensuous harmonies and fervent rhythm into a moving and reflective masterpiece. Duruflé wrote of the piece:
“This Requiem is not an ethereal work which sings of detachment from earthly worries. It reflects, in the immutable form of the Christian prayer, the agony of man faced with the mystery of his ultimate end."
Tyler Civic Chorale
Stephen F. Austin State University A Cappella Choir
Dr. Michael Murphy, guest conductor
Weston Jennings, organ
Sanctuary | $25 adults in advance/$30 adults at the door
Students and Children Free Admission
“Learn, Connect, and Be Inspired in the Rose Capital of America!”
Come and experience two days of outstanding choral instruction in Tyler’s beautiful Brick Streets Historic District. Exciting group session focus on helping you become a more capable and confident choral singer as you interact with others who love the art of blending many voices to sound as one. Join us for an inspiring and rewarding weekend in one of the prettiest towns in Texas!
Register on or before May 16 - $75 ($60 for full time students)
Register after May 16 - $100 ($85 for full time students)
REGISTRATION DEADLINE IS SATURDAY, MAY 28
One of Mozart’s greatest and most beautiful works, Requiem, K. 626, also turned out to be his last. As the story goes, Mozart was presented with a mysterious request from an unknown patron to compose a Requiem Mass. Unfortunately Mozart died before the work could be completed. In fact he only had one movement (Introitus) fully scored at the time of his death. Knowing that the patron would not send final payment without a complete work, Mozart’s widow Constanze had one of his students Franz Xaver Süssmayer finish the composition. Intrigue and mystery aside, Mozart’s Requiem remains a masterwork par excellence.
Tyler Civic Chorale and Orchestra
Weston Jennings, artistic director
$20 adults in advance/$25 adults at the door
Students and Children Free Admission
Box office hours are Tuesday, May 10 from 3-5 pm and Thursday, May 12 from noon-6 pm at the Administration Building of First Presbyterian Church (continue south of the main sanctuary on College Ave). Cash or check (made payable to Tyler Civic Chorale) only.
One of Mozart’s greatest and most beautiful works, Requiem, K. 626, also turned out to be his last. As the story goes, Mozart was presented with a mysterious request from an unknown patron to compose a Requiem Mass. Unfortunately Mozart died before the work could be completed. In fact he only had one movement (Introitus) fully scored at the time of his death. Knowing that the patron would not send final payment without a complete work, Mozart’s widow Constanze had one of his students Franz Xaver Süssmayer finish the composition. Intrigue and mystery aside, Mozart’s Requiem remains a masterwork par excellence.
Tyler Civic Chorale and Orchestra
Weston Jennings, artistic director
$20 adults in advance/$25 adults at the door
Students and Children Free Admission
Box office hours are Tuesday, May 10 from 3-5 pm and Thursday, May 12 from noon-6 pm at the Administration Building of First Presbyterian Church (continue south of the main sanctuary on College Ave). Cash or check (made payable to Tyler Civic Chorale) only.
Tyler Civic Chorale and East Texas Baroque join forces for one of the greatest English-language oratorios ever composed: Messiah by George Frideric Handel. Since its premiere on April 13th, 1742 in Dublin, the work has become one of the best-known and most often performed choral works in Western music, and is a beloved holiday tradition for many. In three parts, the oratorio follows the life of Jesus of Nazareth from his birth through to his ascension. When asked about composing the ‘Hallelujah Chorus’ from Messiah, Handel is said to have remarked "Whether I was in my body or out of my body as I wrote it I know not. God knows."
Tyler Civic Chorale
East Texas Baroque
Weston Jennings, artistic director
$20 adults in advance/$25 adults at the door
Students and Children Free Admission
Tyler Civic Chorale and East Texas Baroque join forces for one of the greatest English-language oratorios ever composed: Messiah by George Frideric Handel. Since its premiere on April 13th, 1742 in Dublin, the work has become one of the best-known and most often performed choral works in Western music, and is a beloved holiday tradition for many. In three parts, the oratorio follows the life of Jesus of Nazareth from his birth through to his ascension. When asked about composing the ‘Hallelujah Chorus’ from Messiah, Handel is said to have remarked "Whether I was in my body or out of my body as I wrote it I know not. God knows."
Tyler Civic Chorale
East Texas Baroque
Weston Jennings, artistic director
$20 adults in advance/$25 adults at the door
Students and Children Free Admission
When settlers came to North America centuries ago, they brought with them the musical traditions and songs of their homelands. These early songbooks and psalters provided comfort and assurance in difficult and uncertain times. Through the generations these early traditions developed into the rich tapestry of American choral music which we know and love today. Join the Tyler Civic Chorale in the first concert of their 54th season as they share a wide array of beautiful American choral works by William Billings, Leonard Bernstein, Emma Lou Diemer, Amy Beach, and others.
Tyler Civic Chorale
Weston Jennings, artistic director
$15 adults in advance/$20 adults at the door
Students and Children Free Admission
Hear ye! Hear ye! The Tyler Civic Chorale presents their first-ever Yuletide Virtual Gala.
$15 each for the Gala Presentation (login details will be emailed)
$35 for Gala Presentation and catered holiday meal ($25 for each additional meal)
A Yuletide Virtual Gala is a modern form of dinner theater, keeping guests safely in their homes enjoying a delicious meal and marvelous musical entertainment.
For Tyler area residents, you have the option of adding a meal catered by FD’s Grillhouse to your order. It consists of herb roasted quarter chicken with thyme, Queens’ salad with cranberries, walnuts, and greens, whipped buttery potatoes, roasted vegetables, and focaccia bread. Please RSVP by Saturday, December 5th for meal orders.
Please fill out the form below. Upon completion, this page will display payment instructions to complete your purchase. They are here as well for your convenience:
Please finalize your order by submitting payment via:
1. PayPal at this link
2. Check to PO Box 131954, Tyler, TX 75713
Happy holidays from the Tyler Civic Chorale!
From the time of early settlers to the present, America has been singing. An estimated 42.6 million Americans regularly sing in a choir and more than 1 in 5 households has at least one singing family member. How did this develop and what of this past can inspire our singing future?
In this multi-part video series, Artistic Director Weston Jennings explores the history of American choral music; its key directions, influential creators, and leading ensembles.
The course is free of charge, although donations are greatly appreciated to help cover the costs of this program. Simply sign up below and you will receive a private link to the course.
See you on September 21st!
Join the Tyler Civic Chorale at historic Liberty Hall for an evening of iconic songs and numbers from some of Broadway's finest productions.
Hear ye! Hear ye! The Tyler Civic Chorale warmly invites you and yours to a Yuletide Madrigal Feaste. Step back to a time of kings and queens, court jesters and minstrels, and begin the Christmas season with good food, song and dance, festivity and medieval frivolity. Be entertained by jugglers, poets, comedians, instrumentalists and singers, and partake in the traditional songs such as the Boar’s Head Carol and the Wassail Song. A merry way to begin the season!
Tickets are $40 and are available by clicking the link below. Ticket sales end on Friday, November 29.
Hear ye! Hear ye! The Tyler Civic Chorale warmly invites you and yours to a Yuletide Madrigal Feaste. Step back to a time of kings and queens, court jesters and minstrels, and begin the Christmas season with good food, song and dance, festivity and medieval frivolity. Be entertained by jugglers, poets, comedians, instrumentalists and singers, and partake in the traditional songs such as the Boar’s Head Carol and the Wassail Song. A merry way to begin the season!
Tickets are $40 and are available by clicking the link below. Ticket sales end on Friday, November 29.
"O sing unto the LORD a new song; sing unto the LORD, all the earth." Psalm 96
For centuries the Book of Psalms has served as an expression of religious faith and is the source of inspiration for music both ancient and modern. Explore this wealth of poetic praise with the Tyler Civic Chorale in a variety of dramatic and moving choral works that span the ages.
Tickets are $15 for adults in advance and $20 at the door.
Free admission for students/children.
This rarely heard work by George Frideric Handel celebrates the power of music to transform the moods and passions of humankind. Set at a lavish banquet in the court of Alexander the Great, this ode to St. Cecilia was a consistent success during Handel’s lifetime and continues to capture the hearts and minds of audiences through its drama and Handelian flair. The evening also features three soloists, a full Baroque orchestra, and a concerto for triple harp.
Tickets are $20 for adults and free admission for students/children.
From the undisputed masters of comic operetta, W.S. Gilbert and Arthur Sullivan's HMS Pinafore is a classic and enduring tale of love across class divides, but not without great wit and folly. Join the Tyler Civic Chorale aboard this celebrated ship as they present this unforgettable masterpiece!
From the undisputed masters of comic operetta, W.S. Gilbert and Arthur Sullivan's HMS Pinafore is a classic and enduring tale of love across class divides, but not without great wit and folly. Join the Tyler Civic Chorale aboard this celebrated ship as they present this unforgettable masterpiece!
At the 11th hour on the 11th day of the 11th month of 1918, the Great War ended. One hundred years later, the Tyler Civic Chorale seeks to re-tell the stories of a generation of composers and writers who either lost their lives in conflict or whose lives were permanently affected by the First World War. The second half of the concert will feature a rare performance of Marcel Dupré's De Profundis, Op. 17, a powerful work dedicated to the soldiers who died for their country.
The Tyler Civic Chorale shares inspiring songs of peace as a part of the 8th Annual "Art of Peace" Meal. Tickets for the meal are available at https://www.tylerpeace.com/peacemeal:$12 for adults and $8 for college students and younger.
